![]() The X-T30 employs the dedicated shutter speed dial of most higher-end Fujifilm bodies, as well as dials dedicated to exposure compensation and drive modes. The most obvious difference though is the considerably more substantial grip of the X-S10, allowing the battery to relocate and free up room inside for the IBIS system, while also giving you much more to hold onto.Ībove: Viewed from the top the different profiles and grips become more obvious, as do the different approaches to controls. The X-S10 is a little taller and wider than the X-T30, although their main body thickness is very similar. If you prefer to read a written version of the highlights, keep scrolling!Ībove: Here’s the new X-S10 on the left joined on the right by the older X-T30 which is arguably the closest model in the series. Fujifilm let me try out a pre-production model for a few days and in my first-looks video below I’ll show you why the X-S10 could be the X-camera you’ve been waiting for. In fact in many respects the X-S10 is closer to a baby X-T4, packing much of the flagship into a smaller, lighter and more approachable body that at $999 or 949 pounds is roughly two thirds the price and only around 100 bucks more than the X-T30. ![]() Announced in October 2020, the X-S10 debuts a new branch in the X-system with a departure from the company’s retro-styled exposure controls for the more modern PASM mode selection used by most of the competition along with the entry-level X-series models.īut don’t be fooled into thinking the X-S10 is in any way basic as it shares the core features of the X-T30 while adding a bigger grip, side-hinged screen, longer 4k recording times and impressively becoming Fujifilm’s smallest and most affordable camera to squeeze in built-in stabilisation, or IBIS for short. The Fujifilm X-S10 is a mid-range mirrorless camera with a 26 Megapixel APSC sensor, uncropped 4k video, a fully-articulated touch-screen and built-in stabilisation. Buy it now! Check prices on the Fujifilm X-S10 at B&H, Adorama or WEX! Alternatively get yourself a copy of my In Camera book or treat me to a coffee! Thanks! Overall the X-S10 is a very strong camera for the money and becomes arguably more compelling than either the Canon M6 II and Sony A6600, and proves there’s plenty of life left in APSC. The lack of official weather-sealing is the only real downside, but I’ve never experienced issues with the equally unsealed X-T30. While I personally prefer the look of the X-T30, I found the X-S10 a much more practical and flexible camera to use and would ultimately choose it over that model. Videographers will also appreciate the standard mic input, half hour 4k clips and the chance to adapt the USB-C port for headphones. Most importantly, the X-S10 becomes the most compact model in the series to sport built-in stabilisation and while Fujifilm reckons the X-T4’s system remains a little better with some lenses, I found the X-S10’s IBIS still transformed the use of unstabilised lenses for photos and video. Whatever your control preference though, the X-S10’s grip makes it easier to hold than the X-T30 and more practical with a wider range of lenses, while a side-hinged fully-articulated screen provides greater compositional flexibility. ![]() So it’s out with the retro-styled shutter dial and in with a more common PASM mode control which, while lacking vintage charm, may prove easier for first-time Fujifilm owners. SummaryThe Fujifilm X-S10 represents a new branch in the X-series, delivering the power and quality of the X-T series, but with a more approachable control system.
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